Dear reader, what we are recording
is a diaspora, not an empire.
We go deep as well as wide; sing
songs of our ancestors, divided
no more into damned and saved.
The calendar of our flesh crimsons
our reiver names, forges a chain.
River’s a mirror, the land inside us.
Our plot of earth is a borrowed book
begun in sunshine, finished in hail.
Blood. Breath. How light cascades.
Linda France was born in Wallsend and her family moved South when she was five. She returned to the North East in 1981 and now lives on Hadrian’s Wall near Stagshaw.
Some days nothing to see but mist
through buckthorn and goat willow
still the river’s there
migration route of geese and fish
traffic of gods and men
wave after wave to the sea where all roads lead
and the Unit of Tigris Boatmen weave
along the estuary
keeping peace where the Wall runs out
a line held
at the frayed edge of the world.
I was born at Cawdr Ghyll, West Yorkshire, and grew up in Ryton and Sunderland. I studied at the University of Leeds and stayed in the city after graduation, working first for an independent record company and later as a teacher of English as a Foreign Language. I live in North Shields, teaching English students around Tyneside, and volunteer at the Watch House Museum, Tynemouth, where I am learning about the conservation of artefacts recovered from a marine environment.
I drive north as long as the light
and the land last alone I walk
the seaweed line testing my strength
against the pull of moon and tide
I take pictures of no-one, perched
on a wet rock riddle shingle
through fingers for the stone I’ll know
is a gift like this book, borrowed
so I may say oystercatcher
to the wading birds I’ll breathe in
till my ribs crack like razor-shells
I have lived in Hexham since 1992 and enjoy many aspects of life in the North, including the long summer days and the unspoilt coast of north Northumberland, which is what I have chosen to write my poem about.
It’s the last drops of sun that catch fire, flowing between sea line
and a fat roll of storm – incoming and weighed down with hail.
On the beach the tide turns gently, laying the sea’s weeds in the slack
water where mermaids leave their purses on the strandline.
Farne and Longstone islands appear as silhouettes of U-boats forever
surfacing in the swell. Their lights regard the rock-boiled water,
scanning the shallows and the profounds, the drying rocks and reefs:
Knivestone, Whirl, Glororum Shad – beaming regret to wrecks lost inside the kelp.
What the lighthouses have withstood in silence, the gulls rail against, singing
of that sorrow, buried in us so deep, that no blade will ever cut it out.
But give the wind time, and it intends to scour the world clean.
I was born in Nottingham but my parents were from Lancashire and Yorkshire. Although I have spent a lot of time in the North - my connection is with the Northumberland coast – and Bamburgh and Seahouses in particular. Every summer we stayed in a house in Bamburgh and we spent our days exploring ruins, islands and beaches up and down the coast. And always, the best and rarest times were the stormy days and nights – cowering for shelter on the rocks by Bamburgh lighthouse - counting every seventh wave and trying not to get washed away.
lift your head your eye on the skyline –
cathedral beacon cathedral
begin at the left
keep your strokes small and precise
stipple sometimes marking time
until you are the fro of the ferry
add Albert Dock landing stage three graces
the Liver clock striking seven
work quickly each stroke a cipher
where we are
drawn to the ferry’s deck-rail
Born in Liverpool, I’ve spent my life in the North of England. The North has shaped my poetry – as both subject and site. It’s the context in which I study and write – at the universities of Liverpool and Lancaster, receiving a Northern Writers’ Award, and working for Liverpool Merseycare. I am creator and curator of ‘Coast to Coast to Coast’, a series of stitched journals and poetry evenings making connections from elsewhere to here. Inspired by my own travels between the North West and North East, the journal hosts writers from all over the UK and beyond in Liverpool.
They natter about last year’s miserable weather
over cider, sunlight glinting on the bucket of water.
Then, silence as she ducks for a Flower of the Town.
He’s after the Yorkshire Beauty, first picked
in a shoemaker’s garden in the Dales. They splutter
as their crowns touch briefly. In the end,
she gets the Beauty, catches the stalk in her teeth
and lifts it slowly. She shakes the drips, tries not to laugh.
He watches her pare it neatly with her pocket knife,
take the first sweet bites. She relishes the star at its heart.
He settles for a Ribston Pippin, pockets it for later.
I was born in Bradford, and now live in Sheffield and work in Leeds. I love many things about the North: the diversity and richness of its cities, the wildness of the land, the generosity of its people. I first heard Tony Harrison read his poetry when I was 15, working as a waitress in Salts Mill. This is when I realized that that poetry could not only be read in a Yorkshire accent, like mine, but could actually be written for a Northern voice. I love the rhythms and sounds of Yorkshire speech, and this underpins my poetry.
A response to Dylan Thomas’s ‘A Dream of Winter’
He offers me his picture: the dusk lake full of flitting
shadows and winter riddles. In mine, a couple idle,
breathing in the light’s last drip. Their hand-in-hand stroll
slips under the water’s dark meniscus. Untarred, they linger
in silence, not yet feeling how their time has split
like an overripe peach dropped from beyond tree-height.
No snow here, no mouths gulping at rippled surfaces,
no silver flash of flickering fishtails disappearing. Not
when I dream this moment. I edge his photo’s deserted scene
closer to my hopes, then watch. Still, his lake’s lens
fills with night; pipistrelles empty out their song.
My North is a landscape pulsing with connections, with people I’ve met, the places I’ve stayed and the familiar haunts I return to. I never intended to give part of my heart to the North. It just happened. From my Masters at Manchester Writing School, to becoming a member of North West Poets, being published by Merseyside-based Knives Forks And Spoons Press to the Wordpool Festival and having a poem animated for the Blackpool Illuminations. I’ve friends born in the North and friends who’ve moved to the North. Through them, it feels like a second home.